Anastasia K. Gates
AFTERLIFE
after Brigit Pegeen Kelly
1.
There is a stag in the apple tree,
head mounted on the middle bough.
The stag was shot by a child who
will take after his father. Daddy helped
him hold the gun. Show me the holy
hunter: the stag in the autumn brush
crying for sex. His song concupiscent,
cerise of tongue. But the doe hears
only Death. She knows the thrum,
the drum of Danger, daughter of.
The stag by the brook and the earth,
darkens. Will she think of the dead stag
bleating for her body as she bows to
her groom in a glade of grasses, womb
throbbing on the late spring asters as
she licks the afterbirth from her babe.
2.
Listen: I have come to know the dead
come back through the arbor, make an
afterlife in the trees. Once, I watered
the apple tree with my menstrual blood.
Feared for years — I had killed it. But
the apple dons a flame that Death cannot
choke out: her fruit rosid as cherry
cover the walk in her saccharine cider
of decay. The aroma of autumn
sensuous, charred, feasting. Long past
her thirtieth year, the apple hangs on.
Respectively, such an age is one third of
a third — of a breath. And now, the
head of a stag stares from the limb, his
ash blond coat struck by the carnation
hours of dawn. On summer nights, the
auburn leaves and globose pomes of
the apple blaze, feigning death. And I
hear the apple calling to the orchard,
the stag singing his body to the tree.
