My Mother’s Dildo

Pink as the icing she piped 
onto Kate’s cake. We poked it 

with a stick as if it were roadkill. 
We loved her like an elegy 

to who she was without us—
I imagine her in her room, 

little radio turned up to hide 
the buzzing as bees pour from 

her breast: she catches herself 
at the bottom of the playground 

slide, her breath growing heavy 
as a woman in labor just before 

one of our voices rushes in.

What I Loved About My Mother-In-Law’s Nudes

was the way you held them. 
Who knows how long we stared 
at those six crisp Polaroids 
we found placed in the paperback 
on her bedside table. We were 
supposed to be packing. 
She was gone—she took 
her life. You knew not to 
sneer at her spread legs
or the leopard-print panties
at the bottom of the frame. 
Maybe she liked seeing herself 
like that, mouth open tasting 
some delicious invisible dessert. 
Why is it that pleasure is the only 
happiness you don’t have to be 
happy to enjoy. Finger 
on the shiny film, you touch her
the way you touch the stars 
when you show them to me.

Blue Candle

Nights, I hear my sins 
scrabbling in the ceiling: 
I made Luke apologize 
for loving me too much after 
grinding my mini-skirted ass 
against his friend in the dark
school gym; let Kyle toss 
Kate’s favorite skateboard 
off a roof; the time I forgot 
Mom’s birthday because Liz 
was in town and we were old 
enough to drink—I think 
I invited Mom to dinner hoping 
she’d pay. How many times 
did the waiter come out of 
the kitchen not carrying 
a small white cake
on a syrup-drizzled plate, 
hand cupped around a single 
blue candle? The restaurant loud 
with the absence of applause. 
For an hour the next day 
I listened to her tell me it was ok 
while I clomped 
around in her forgiveness 
the way I did as a kid 
in her famous red heels.
So consumed by grace 
I hardly noticed how badly they fit.

After You Go Soft Inside Me

You apologize, like a boy 
on a dock who has just let 
his catch slip back beneath 
the surface of a lake. 
I don’t mind. Bring me 
your smallness, your 
tender disappointment. 
Pajamas around my ankles, 
I smile, wipe my slick thigh 
with your shirt. When I lie 
about reading or doing dishes
when I’m doing nothing,
you catch me the way a dancer 
catches another dancer from 
not-falling. We leave 
the curtains drawn, windows 
open; I hope someone sees 
the tender constellation of 
pimples on my bare ass, 
the way you shrunk like good
fresh vegetables in my oven. 
I never knew how small
we had to reveal ourselves
to be, to be this loved.

Fake Orgasm

My love, when you bend me over 
your workbench with the view of 
a few fallen screws and a dusty shovel, 
this is my gift to you. I know all 
the reasons not to, but it's fun 
to perform these taxidermied sighs 
with perfectly posed wingspans. 
I want to make your back bleed 
with how much I love you 
and won't be denied this 
false idol. After you clean 
my hairbrush or, mid-
smoothie-making, bring 
the peanut-buttered spoon 
upstairs for me to lick, I want 
to give you something back— 
so I open my mouth and 
like knotted scarves pull out 
lies. But if I’m being honest,
sometimes it's the pleasure of 
having a secret. All my life 
I’ve felt my life has this 
false back, and it doesn't
matter what’s there, just 
that you can’t reach it. 

Self-Portrait with Unplucked Nipple Hair

It’s not a statement, just laziness
that lets these small strands 
sheet-music my skin—what if 
I skip the trip to the bathroom, 
chin pressed into chest as I pick 
away at my breast with a tweezer. 
Once I was hungry for pink donuts 
and sweet potato fries and sugar 
cereal, and now I’m hungry for 
pink donuts and sweet potato fries 
and sugar cereal and everything else. 
What if only surrender can redeem 
insatiability? I can’t keep living 
on the knife edge between stuffed 
and full. I want to collective-noun 
my desire, part my life like a labia
and jaywalk across prayer. Instead 
of give me roses, spill red wine 
across my carpet
; instead of 
hold the car door open, drive me 
off a cliff
. All this because for once 
I do nothing? Who knows. Maybe 
next time I’ll flash the camera—
like a flock of geese I’ll take off my shirt.  

The Intimacy Coordinator

Earlier, she ordered knee pads 
for the blow job scene, handed 
out Wet Ones so the stars could 
wipe away the sticky residue 
of skin tape. She teaches
the actor how to pleasure the air 
in front of the actress, swirling it 
like a troubadour’s song. Irresistible
to pop grapes at the grocery store 
into your mouth, touch the crosswalk 
button way more than once. We can’t 
withdraw consent from the world’s 
unbearable thrust—it’s an art the way 
she slides yes like a bright white letter 
under our door. Instead of kiss she says, 
Close the distance between your mouths

She’s undressing language. There’s no 
safe word—not even good, not even 
God. Safety, comfort, ease are flat 
as a ship before it’s slipped into a bottle.

Before Language, Singing

As far as we know Neanderthals had no language.
Some scientists believe they sang to each other
in wordless notes that could’ve meant anything.
Like, before the body, the silk slip; or before 
thirst, a blue clay cup with the artist’s initials 
carved on the bottom. They made sounds
crude as a first kiss, crooned warm as animal 
hide just flayed. We never really know
what it is we’re saying to each other, even 
with the fine stitching of sentences and 
syntax’s elaborate technology. Every truth 
I’ve ever loved has been profligate 
imprecision. Tonight let’s peel certainty  
like a fruit with a rind too bitter to eat. 
I’ll use a low tremolo to say I like the place 
your stubble starts to change direction 
on your cheek
; a simple hum to say 
and not say, Right there, like that

First Published in Harpur Palate.

IN CONVERSATION WITH
Lexi Pelle