POEM OF THE MONTH
April
Tarot & Divination

Untitled by Elisabeth Wild (2019)
AFTERLIFE
after Victoria Chang
I resurrected my long-dead beloved Grandma Caroline with my first ancestral altar. My hoodoo took the shape of her. And she took the shape of me. I began making important decisions with Caroline in tow. We talked frequently. Over morning tea, she gifted me with wisdom on the secrets to Black survival and how to trick Johns like an OG conjure-woman. She introduced me to divination and our lineage of psychics, made me privy to my own razor-sharp claircognizance. My grandma promised tarot and playing card reading as my birthright. I gave the most precious parts of my life over to Spirit. I made her responsible for my finances and slicked my hands and wrists with money oil. I grew richer. My community quadrupled. I started saying, Oh, chile! when life weighed me down. As her true descendent, I trifled with mental illness until it became a serious pastime. I straddled between her paranoid psychosis and agoraphobia for years until I could don them both at the same time. They suited me well. I adapted her tenderness. That part was tricky! At first, I didn’t cry for two years, then, possessed by her, oh Caroline, I cried all the time. I cried at anything. My face, arms, and ass got fatter until I resembled every woman on my dad’s side who had come before me. My hips spread, and I baked biscuits from scratch. I upped my butter intake. I finally learned to season chicken. From its delicate infancy, my conjure grew until it was vast enough to amulet generations in both directions. I exhumed the body of every ancestor I had ever loved and mastered the art of the marionette and ventriloquism. This isn’t even me typing. This isn’t even my real body.


Tiezst “Tie” Taylor is a 2026 Best New Poets nominee, 2025 Pushcart Nominee, radical educator, poet, and the self-proclaimed “Queen of the Duplex Form.” Tie’s work appears or is upcoming in Midway Journal, Shō Poetry Journal, Torch Literary Magazine, Lucky Jefferson, and ANMLY. Follow Tiezst on Instagram @tiezst.


"AFTERLIFE” is written after Victoria Chang’s “OBIT” poems and was drafted in a prose poetry workshop led by Jose Hernandez Diaz where we were reading some of Chang’s incredible work. I knew that for me the concept of death is inextricably tied to hoodoo / conjure and my daily work to venerate my dead folk. This hoodoo “thug life” (IYKYK) began with reconnecting with my Grandma Caroline and has been such an enriching journey. I’ve called myself the “Wendy Williams of Conjure” before, so I’m excited to give hoodoo its shine in this piece!

In the tradition of Victoria Chang, Tiezst Taylor's "AFTERLIFE" takes the architecture of elegy and flips it inside out: this is a poem about building an ancestral altar and watching your grandmother step through. About inheritance of wisdom, the conjure, the claircognizance, but also the paranoid psychosis, the agoraphobia, the tenderness that makes you cry at anything. Oh how I resonate with this! What I love is how Tie refuses to separate the gifts from the weight. The poem doesn't flinch from the fullness of lineage: how we carry our people in our bodies whether we mean to or not. "My face, arms, and ass got fatter until I resembled every woman on my dad's side who had come before me." This is what divination really is, isn't it? Reading tarot and bloodlines alike, seeing the future while exhuming the past. And that ending: "This isn't even me typing. This isn't even my real body". The conjure grown so vast it swallows the speaker whole, makes them a vessel, a marionette, a channel for every ancestor they've ever loved, and the veil dissolves. Tie calls herself the "Wendy Williams of Conjure" and it's hard to disagree. This poem is audacious.





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