Miscarriage Ghazal

It feels as if we’ve come from empty, the portal is a mother.
The dark of the cosmos grant us breath, the origin’s mother.

The babies before the babies before earth’s beginning suckled 
stardust, shaped themselves of clay, resisting hands of a mother.

The unborn are Gods, born outside of the mind, the skin, the womb.
The most mortal of us nurture their leaving, still—forever mothers.

They cry with us, laugh our lungs free from grieving their going.
They watch us, hold us, soothe us, carry our heavy, becoming our mothers.

The desires stay swallowed, pressed against the soft spot of the cheek 
tend to the body, test the blood, wait and wait, wonder how to mother.

The body is a mystery, no, the miracle cannot be fathomed, 
there are no answers for the way the spirits guide us to mother.

There was once a baby blossoming my womb alive, she called me
her Mother, drank of me, loved of me, she left me, a mother.

Portal

                  penetration can edge the baby through.
                  induce. the earth is already hungry for it.
                  breasts a tender bite. ankles swallowing the
                  salt of sea. buoyed feet under blankets, a
                  harbor of a vessel. the head resting heavily
                  against the pelvis, they call it lightening.
                  quickening the precipice. the body heaves
                  from the weight of desire. the opening
                  wants to come open, wild gaping. bewitching
                  eclipse. celestial gateway—yearning
                  for a flickering in the dark.

Postpartum Letter to Phillis Wheatley-Peters #2

It is surreal how the rupturing is immortal. The way bodies break apart something furious. The way children climb their way in and through us. Isn’t it strange to be a portal? Isn’t it strange to know your children have been waiting for you long before you knew of them? Birth carries its own cosmic abilities. And even when the birth doesn’t happen, the beings follow like ghosts. I know you know the losses. How they detach you from your very body. The way being taken away from a homeland might, yet different because the taking makes you wonder if you were ever alive. If you were alive enough to make something else alive. I want you to know that I know what it feels like to miscarry, write a poem about it, and bury all the evidence. They call this time of your life, the lost years. Meaning there was a time you were swallowed up by grief. And it is in grief that I’ve learned there is no reconciling. In grief I’ve learned that a body is only a body and that there is something hopeless about being a person. Hopeless enough to question God. And you know this questioning well, even when you wrote poems about an acceptable God. A friend once told me they wanted to have children because there are Black people in the future. You must have known this too. You wrote so much of divinity; you must have seen your own imminence. You must have seen something abundant. The babies, the poetry. The babies, the poetry. In darkness you were birthing, futures forever raveling. 

The Daughter Becomes Her Mother’s Body

Today, I am her sickled spine
yearning for earth, drawn to descent.

Gravity grounds this sadness to latch
its stubborn feet into rising mornings.

Before school, I’d watch my mother rest 
against the burgeoning sun. 

I’d ready myself for the walk alone
as if I’ve come from nowhere.

I wonder if her bed felt like mine, 
the edges reaching over. Did she 

wait on this cliff, readying to
swim the waters before the swallowing?

I take 10mg of Citalopram each morning.
My mother smokes a cigarette.

We both have our ways.

In the beginning, we lived in habitual dark
except I was my mother’s orb brewing.

Could this have been the place 
where we were woven?

The weathered soil of lineage 
doing its best to yield?

I am ruptured harvest. 

The flood of the day 
invites me into tomorrow.

There she is 
a waking dream.

Gathering her bones 
to ache forth through existence.

The sky bellows the tide
to guide these bodies.

The waves sing us through.

Upon Having Survived Your Birth

Before bloody tearing 
became harrowed opening

an unrelenting scream signaled 
life and the possibility of my own death 

dangled its boundless mysteries 
in and through me 

while I pushed the eclipse 
of your head stubborn in how it hid 

from us, the breath I couldn’t catch
the back labor wrecking

the midwife’s hand in mine, 
your father’s pressed against 

my back, the body an eruption
unfathomable pain

the quiet of hospital socks
kissing linoleum shuffling 

through the waiting
the swelling, the water 

that rose, You lived 
in the surf of me

the pain, again a vicious wave
the self severed

who can stay the same 
after an end and a beginning

make love to each other
the descent insists on existing

that is nothing short of a miracle
this same miracle something 

my mother witnessed 
even when it conjured 

a divine grief for the self
I know she lost 

just like I have 
and two ghosts

find each other
just as You are 

arriving in the liminal space
between ground and ground

breathing in this imperfect earth
your newness so glaring 

I can’t help 
but look

Postpartum Letter to Phillis Wheatley-Peters #1

I want to know your name. The God-given one. I want to know if your teeth look like my grandmother’s. I want to know the way your mouth curves amid joy. I want to know what joy feels like in bondage. I want to know if that is possible. Tell me about possibility. Tell me how you knew how to carry the brilliance of your own life. Tell me the way the hair on your skin rises during a New England winter. Tell me how you survived being a Black girl in New England. Is it the same way I survived being a Black girl in New England? Isn’t it true that Black girls can survive the unimaginable? When will others stop forcing Black girls to survive the unimaginable? My therapist tells me that in raising my son, I am reparenting myself. There is something about mothering that breaks the capacity of time. Which is how I know you must have been mothering your young self as you were brought across The Atlantic. Was it watching yourself from another dimension that made you survive? I don’t know the true story, yet I know it is possible that a version of yourself kept your own self safe, long before someone thought purchasing you would. There is something about trauma that forces us to infinitely save ourselves. It is a transcendent power, this saving, even when the body has died. Phillis, did you know you live in and against time? That what made you write yourself alive is still breathing, breathing, breathing?

Portrait of a Mother Before Sunrise

My mother is Black
under the eyes in
twilight. Her mind 
readies for midnight
ventures. The sleeping 
hours have always been
her time⁠⁠ away.
Us quiet children tucked 
among the safety of night.
The hours, slow, and
swallowing, rock her 
awake. Her feet 
glide across the floor. 
Our home resists the 
pressure of her weight.
⁠Her thinking begetting
unrest. How many 
nights does she wait 
for morning to yawn 
into waking? Her eyes
open the entire time.⁠
How heavy the body 
rejecting rest fills 
the lull of quiet. Fills 
the worry to brim, stewing
slumber away⁠—how all the
fear the body holds
endures in restless 
weariness.

Previously published in Nocturne in Joy (Sundress Publications, 2023)
IN CONVERSATION WITH
Tatiana Johnson-Boria